Author: Hannelie de Klerk

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About Hannelie de Klerk

I am a Clinical Psychologist with an avid love of nature. I take photographs to remind myself to get out of my head and into the world. I run a Private Practice at 18 Versfeld Str in Yzerfontein. I can be contacted on +27828554874.

Winter article – Yzerfontein Urban Conservancy newsletter – June 2015

Winter is wet and wild and often a time when one prefers to huddle indoors. This makes it an ideal time to think through how you have archived your photographs. In the digital age we live in, most of us have more files and folders than photographs. I am frequently amazed at what I find when I open folders that have lain dormant for a few years. When I have time on my hands this is a treasure hunt of note, but when I am quickly looking for something I know I have, but cannot remember where it was taken or when, then it becomes a lot more frustrating to have this abundance available.

Each photographer has favourite software that can be set up to store images with custom filenames. I find it worthwhile to download my photographs onto an external hard drive immediately, saving space on my laptop; especially as I tend to shoot in Canon RAW, which gives me memory intensive files to work with. I give the external hard drive the name of the year in which it was first used. I give each folder a name that indicates the date and place of the excursion, and keep these all under an overarching umbrella called… wait for it… Pictures. The simple discipline of keeping photographs archived in an easy to maintain and reach format is, for me, part of the joy of watching my skill develop and grow over time.

The image that I excavated for this article comes from my first external hard drive and was shot during August 2007. It is a cold, blue shot of broken shells, taken on the Yzerfontein main beach. The “feel” of it matches my sense of what winter photography can produce. It was shot with a 200mm lens at f16 and an ISO of 200. The 1/15 shutter speed indicates that it was likely to have been taken in the shade, although 8 years down the line I do not remember the exact moment or circumstance of the shot. In spite of the closed down aperture there is only a small part of the picture that is in sharp focus, this being a feature of macro photography.

Cold blue shells

Lee Slabber in Yzerfontein

As a photographer, I am always looking at the work of other photographers to inspire me. One such person is Cape Town based artist, Lee Slabber. His images cross the boundary between photography and art and become simply inspiring. Lee is a gentle man who loves nature, loves to extract the patterns presented by our cold Cape waters, and he is a wonderful teacher.

As a result of my admiration for the man it was with great delight that I welcomed him to Yzerfontein on the 10th of September 2014 to come and guide my own work off Schaap Eiland. His message to me was clear: look for foreground, midground and background interest. Be clear about the patterns created by the rushing waves when you slow down your shutter speed and watch the art emerge.

The images that I took at sunrise on that day under Lee’s guidance are what I am presenting to you here. In the first image the sun is just about to emerge over the horison, the cloud cover matches some of the patterns in the water and a few of the Pearl Bay houses lurk in the background. As a result of the early morning there is little light and the slow shutter speed blurs the water. The trick is to shoot at the lowest possible ISO your camera offers and use a f-stop of at least 16. If available to you, add a graduated filter to darken the sky and allow the camera to pick up more detail from the rocky foreground.

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In the second photograph the camera is turned away from the rising sun and pointing out towards Dassen Island. Here Lee suggested that the photograph be turned to a black and white image to add drama to the splashing waves. Lee’s further tip was to crop a little off the top and bottom of the photograph to give it a more panoramic feel and allow the viewer to be drawn more directly into the oncoming waves.

The best compliment fo the the day, however, went to Yzerfontien itself when Lee said he would be sure to be back. Our coastline is a gift to any serious seascape photographer.

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